Hurrican Ridge

Hurrican Ridge

Hurricane Ridge. That’s a pretty dramatic name isn’t it? Especially for a site in the Pacific Northwest where we’re not exactly known for our hurricane season. Still the name, for a viewing area in the Olympic National Park, does have a basis. Olympic National Park is situated in the Olympic Mountains, the range that runs parallel to the Pacific Ocean. As the first of two mountain ranges in Washington the Olympics take the brunt of the bad winter weather that blows in from the ocean. In fact this mountain range is the reason that Seattle enjoys such temperate weather—we are in the rain shadow of the Olympics. We also back up against the Cascades so, with two ranges on either side of us, the worst of the weather bounces from the Olympics across to the Cascades and passes right over us. On a side note this weather movement is also why Eastern Washington is much drier than Western Washington—most of the precipitation that starts in the Olympics is gone by the time a weather system gets to the far side of the Cascades.

So that was your Washington weather lesson for the day! Now back to Hurricane Ridge! Given the information above the name of the Ridge actually starts to become a bit clearer—it is regularly subjected to winter storms which include hurricane-force winds—in some of the storms the wind-speed has been recorded at a high point of 86 miles per hour!

You would never know this to visit on a sunny day though–when the weather is clear the Ridge offers some of the best views in Washington! The starting point for the road is in Port Angeles, which sits right on the Pacific Ocean. Do not be fooled by the weather down in town and take it as an accurate representation of what is going on up at the Ridge. At just short of a mile above sea level the Ridge rises above the fogs that routinely closes in around Port Angeles. Often there is clear skies up there if it’s just the usual daily fog—though fog at the foot of the mountain can ruin some of the viewing chances up top.

In fact the Ridge is so high, 5,242 feet above sea-level, that it is safely in the sub-alpine zone. This mean that you’ll have new types of weather and conditions to face as you head up Hurricane Ridge Road to the summit. At any time of the year it’d be a good idea to check on the Olympic Park website or at the ranger station at the foot of the road before you make the drive up. Rock slides or avalanches can block the road at any time of the year and also, depending on the season and current weather conditions, tire chains might be needed to make it up the road. In these upper levels of the Olympic National Park snow can come at any time of the year and many of the hiking trails keep snow on them into July!

Once you make it up the road though, on a sunny day, the views are amazing. I nabbed a few photos while I was up there (You can see them below) but my day was a bit hazy. On a very clear day you should be able to see Mount Olympus, one of the most elusive mountains in Washington State—mostly because it’s rather short compared to some of the bigger ones and it’s out to the west beyond the Seattle/Tacoma area where most people look around for mountains.

If you are into hiking, Hurricane Ridge is a jumping-off point for a whole variety of hikes, from short ones on wheelchair-accessible paved paths to much more challenging ones that only the fittest hiker would want to attempt. More information on the trails and current conditions can be found in the Visitor Center located right at the Ridge. That’s also where you can find a very interesting informative display about the history, geology, ecology and environment of the park. You can find a gift shop and snack bar on the lower level near to the information desk.

I could go on for a good bit longer but, honestly, the majesty of the Ridge and its scenery are best experienced in person. Consider my photos as an appetizer course and then make plans to head out that way yourself! The majesty of the Olympic Mountains must be experienced in person to truly understand why they have awed Humans since people first began to strike inward from the Pacific Ocean.

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The Moore Theater

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What exactly does it mean to offer your theater to ‘legitimate shows’? According to Mr. Webster the definition of ‘legitimate’ that applies to this context is “relating to plays acted by professional actors but not including revues, burlesques, or some forms of musical comedy”.

Now why did this matter?

I’m not sure if this sign was part of the original Moore Theatre’s design or added at some point during the theatre’s 108-year history but in 1907, when the Moore opened, theatre did not always have the best of reputations. While being one of the main forms of public entertainment there were many types of shows performed on stages and some were less respectable than others. Bawdy comedies, vaudeville performances, burlesques (at this point in history more song-and-dance shows then the strip teases they became), and dance hall performances painted a wide and varied picture of the ‘stage’ in many peoples minds. Some legitimate theatres, eager to distance themselves from these scandalous groups, actually advertised themselves more as lecture halls then performance venues. To that end they could calm the fears of the more reserved and conservatives members of society which would ensure that they stayed in business.

The Moore is the oldest still-operating theatre in Seattle. As the sign promises it does offer real stage shows along with the mentioned concerts and other types of entertainment. When it opened it catered to Seattle’s elite though, like many theatre venues, it was sorely hit by the changing times and almost closed its doors permanently during the 1970s before a huge innovation saved it…but more on that turn of events in a moment.

The Moore had a long and (rather) glorious run before the 1970s came about. In its first decade it was the home of the Seattle Symphony, and such performers as Ethel Barrymore, and the Marx Brothers graced their stage along with presentations of several Shakespeare plays and “Madame Butterfly”.

The Moore was bought by the Orpheum Vaudeville Circuit right after the first World War ended. They kept it as their main base until 1927. That was when they built their own theatre (now closed) several blocks away. At that point the Moore went up for lease and it was rented by Cecilia Schultz, a premotor of different arts in Seattle. She used the theater for a wide variety of events ranging from musical performances to lectures by Robert Ripley. After she retired in 1949 the Moore was rented mainly by different religious revivals and other smaller events.

Another short run of glory began in 1954 when Hugh Becket, the manager of the freshly-closed Seattle Metropolitan Theatre, took over the Moore and continued his business of booking and hosting plays and performances. Still it did not last long and The Moore was back to renting itself out and struggling to stay ahead of newer theatres and the afore-mentioned rise of the cinema within a few years. By the 1970s the theatre was on the ropes even though it had been added to the historic registry of Seattle in 1974.

As they say though adaptation is the key to survival.

In 1975 two Canadians, Darryl MacDonald and Dan Ireland, took on the theatre and transformed it into a cinema house. They meant to use it as a home for Hollywood revivals and foreign films but in 1976 the Moore, now called the Moore Egyptian, became the home to the first annual Seattle International Film Festival. As SIFF went on to become one of the most successful film festivals in America it moved its headquarters first to a theatre on Capital Hill and then to another building at City Center in Seattle. Ten years later the Moore (dropping “Egyptian” from the title as that went to the new SIFF theatre In Capital Hill) was again without tenants and reverted to being an event-to-event rental again.

In 1992 Ida Cole, an alumna of Microsoft, and her non-profit organization, The Seattle Landmark Association (Which would later become the Seattle Theatre Group), leased the property from its long-time owner George Toulouse. His ownership was the main reason behind the theatre surviving so long with its historical architecture mainly intact.

Now the Moore Theatre, the Seattle Theatre Group still leasing it from the Toulouse family, has returned to its roots as a venue for dynamic entertainment. They have incorporated all of the new additions that have been added over the years which allows which allows them to use the space for all kinds of events, from bands giving concerts to dance troupes and stage actors performing on stage along with using it as a movie theatre.

The Moore Theatre is a true survivor story. In an era when cities across the United States are losing so many of their historic buildings it’s comforting to know that a few of them manage to hang on through dedicated supporters and sheer persistence. Let’s hope we start hearing more success stories like the Moore in the years to come!

Dictionary cited from: www.merriam-webster.com/dictionary/legtimate

Information about the Moore Theatre gathered from www.historylink.org , Wikipedia.org , and http://www.stgpresents.org/moore

Pike Place Market

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This iconic sign, at the foot of Pike Street, is the marker for one of Seattle’s oldest and most iconic sights. Still Pike Market’s beginnings were very humble and born out of a utilitarian purpose.

In the late 1800s Seattle’s population began to blow up—between 1890 and 1900 Seattle’s population grew by almost forty thousand heads to end up at 82,000 people by the end of the decade. All of these people created a huge demand for the fresh fruits and produce that was grown by the farmers surrounding the city. Initially they brought their goods to Seattle and sold them to the wholesalers located on Western Avenue who, in turn, sold them to the public. As you can imagine under this system only the wholesalers were turning any kind of profit. The farmers were usually loosing money or, if they were lucky, they were breaking even. The residents of the city had little control over the prices and where forced to pay whatever the wholesalers charged.

By 1907 the situation was becoming critical—farmers were growing increasingly poorer and citizens were frustrated by continually being gouged for staples. Finally, in the summer of that year, Seattle City Councilman Thomas Revelle brought up the idea of creating a public farmers market that would allow citizens and farmers to meet face-to-face and push the wholesalers to the side. Pike Market opened to the public on August 17th, 1907 with eight farmers showing their wares. By the end of the first day 10,000 citizens had descended on the market had cleaned them all out. Within a week seventy wagons were gathering daily to sell their wares and the number of vendors, and buyers, has only gone up since then.

Now in 2015 on any daily of the week, at any time of year, you can find around one hundred farmers, one-hundred-and-ninety craftsmen, and two hundred businesses all sharing their wares at the Market. On the lower floors of the Market you can find the stores and the upper street-level is where you can find the farmers and craftsmen along with the famous fish markets. The restaurants that have helped to make Pike Market famous are spread throughout the whole area. This is also the area where, if you’re a coffee fan, you’ll find the original Starbucks store. Running along the upper level of the Market is Post Alley where a variety of restaurants and comedy clubs can be found along with the Gum Wall.

The Market is open daily from 10am to 6pm though the craftsmen and farmers usually are closed down by 4pm. Any day is a good day to stop by the Market! Have fun out there!